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Tonga.Online @ Ars Electronica 2002

Tonga.Online project has been recognised with a "honorary mention" in the Net Excellence category and is invited to take part at the Ars Electronica Festival from 7-12 September 2002 in Linz. This will provide for a platform of reflection and interactive communication for the project and will contribute to raise attention and support for the Tonga community.

 

“The avoidance of begging bowl politics is why the KUNZWANA/AZFA cultural relationship with the Tonga has little to do with humanitarian aid. It has not involved food drops, grinding mills or the building of clinics. It is founded on the principle that cultural identity forms a vital function in terms of human survival. When forcibly removed to make way for the building of Kariba, the Tonga lost everything including the fixed assets of their material culture such as their shrines. Their cultural styles were automatically transported with them because they filled no extra space and could not anyway have been separated from the bodies being moved. The Tonga maintained their identity by organising around what remained of their culture and, because the culture was dynamic, it helped them face and adapt to the massive challenges that their new environment presented them. Put very simply, the Tonga invested heavily in their culture and this meant they survived...

Statement of purpose for Tonga.Online, by Keith Goddard

“Twenty years after independence, arguments still continue about what is appropriate intervention in the Tonga area and what constitutes interference or corruption of these simple people. Why don't we leave them alone? Why do we wish to take them out of their natural habitat and whisk them off to foreign countries? Why are we spoiling these people by introducing them to our western ways? Why are we giving them false expectations in life that they can never realise and introducing them to unobtainable desires? Why are we displaying them to the world as examples of exotic culture? Why do we waste money on bringing computers and the internet to an area where people are dying of hunger and need the basics of grinding mills and fertiliser?

Tonga.Online – an offspring of cultural exchange and ICT4D project

2001: The Exhibition "Tracing the Rainbow – Life in Southern Africa" at the Schloßmuseum of Upper Austria province in Linz invited AZFA to present some results of the vast cultural exchange programme between Linz / Austria and the Tonga area in the context of this exhibition. The invitation sparked the idea for the TONGA.ONLINE project as a way to communicate with the Tonga community concerned in a more direct way. Therefore a TONGA.ONLINE Project Room was established as a laboratory where visitors of the exhibition had an opportunity to get immediate access to information about the Tonga people and Tonga culture using the Internet as a tool for communication. For at least a short period of time The Big Blue Van, a mobile computer lab on a lorry moving from village to village on site in the Tonga area, provided for at least some glimpses of direct communication via email postings to the website www.mulonga.net

OÖ. Festival der Regionen Kunst.Über.Leben

more details from Stadtwerkstatt / i.e. Versorger

Reisebericht Alfred Komarek, Wahlverwandtschaften

http://intra.fdr.at/fdr/fdr97/routen/route2.html

video Tonga Exit only by Michael Pilz & Thomas Schneider

video Across the River by Michael Pilz, 151', A/2004

video Across the River / 4 Zitate, by Michael Pilz, 33', A/2005 (for Zambezi River Music, Symposium @ Donau Universität Krems, 30th July 2005)

video “tribute to Keith” 4' version + 22' version by Michael Pilz

Exposure and promotion of Tonga Ngoma Buntibe Tonkunst in Southern Africa and Europe

Timetable 1997

: SIMONGA Ngoma Buntibe Ensemble from Siachilaba/ZIMBABWE

MAY 6 FIVE PIECES OFFENES KULTURHAUS LINZ/AUT

JULY 26 SIX REFLECTIONS ART GALLERY BULAWAYO/ZIM

JULY 31 SIMONGA & BEERHALL SIACHILABA/ZIM

SIX REFLECTIONS

AUG 3 SIMONGA & AMAKOSHI BULAWAYO/ZIM

SIX REFLECTIONS CULTURAL CENTRE

AUG 4 - 10 TONGA. EXHIBITION HARARE GARDENS HARARE/ZIM

from CHOMA MUSEUM / ZAMBIA

AUG 4 - TONGA. PHOTO. GRAPHICS L'ALLIANCE HARARE/ZIM

ILO BATTIGELLI, PATRICK MWEEMBA

AUG 7 - 9 SIMONGA ZIM.INT.BOOKFAIR HARARE/ZIM

SIX REFLECTIONS GALLERY DELTA

AUG 13/14 SIX REFLECTIONS CARFAX JOHANNESBURG/SA

AUG 16 - 24 TONGA. EXPEDITION TOTES GEBIRGE

FESTIVAL OF THE REGIONS UPPER AUT

AUG 22 FIVE PIECES ALBERT- APPEL HAUS STYRIA/AUT

AUG 23 CAMPFIRE - OFFENSEE

FEST DER FEUER IM TAL UPPER AUT

AUG 27 "THE LOST VALLEY" FILMFESTIVAL FREISTADT/AUT

AUG 29 SIMONGA & FIVE PIECES REMISE VIENNA/AUT

OTTO LECHNER, TSCHUSCHENKAPELLE

DEC 12/13 SIX REFLECTIONS COOP ARTE FELIZ MAPUTO/MOC

GHORWANE

Siachilaba backstage

Photo installation by Sabine Bitter and Helmut Weber designed to provide a visual accompaniment to the presentation of the "Five pieces / Six reflections on Tonga music". The installation also includes some of the photographic work of Ilo "the pirate" Battigelli.

 

Impressions of contemporary architecture in Harare, photo documents from the period as the Kariba Dam was being built during the 1950's from the archive of Ilo Battigelli, and pictures from Siachilaba during a concert in March 1997 are all used to form the optical borders and transparent reflections of a short-term, yet intensive cultural exchange. 5 color prints laminated on transparent sheets, 90 x 125 cm each, 3 b/w prints laminated on transparent sheets, 90 x 200 cm each, (slide projection).

Tonga Tonkunst: One man One Note

by Keith Goddard (in 1997)

The music of the Valley Tonga is as extraordinary and distinct as it is beautiful. To date, however, it remains almost totally unexplored by researchers and academics (except in regard to musical instruments as artifacts of material culture) and it is virtually unknown outside the Tonga area.

More: http://www.mulonga.net/index.php?option=com_content&view=article&id=219:tonga-tonkunst-one-man-one-note&catid=43:tonga-culture&Itemid=93

see appendix

Music of the Buntibe

There are eighteen Tonga chieftancies in Zimbabwe and within each exists at least one ngoma buntibe group, if not three or four. Each team consists of forty people or more. Around thirty men play up to nineteen different sizes of horn (nyele) fashioned from different species of kudu, in particular impala for the higher horns and sable for the lower ones.

In addition, there are between five and seven conical-shaped drums ranging from small hand-held ones played with sticks to a giant drum requiring one or more persons to support it in addition to the principal player. The smaller drums are covered with cowhide, the larger ones with elephant's ear.

Women play hand rattles (insaka) made from small gourds filled with seeds or condensed-milk tins and filled with small stones or seeds. Women also provide most, if not all, the singing.

Focus on the Shona cultural heritage of Mbira music: Simon Mashoko Gwenyambira

When the Wiener Tschuschenkapelle went on tour in Zimbabwe in 1996 they visited Simon Mashoko, the grand master musician on the mbira, at his rural home in Nyika near Masvingo. This encounter was the start of a series of projects and collaborations with Werner Puntigam, Klaus Hollinetz and Michael Pilz.